frank miller's sin city a dame to kill for

Mostly it's just wronged people going after whoever did them wrong. (Short version: Break people's fingers and shoot them in the leg, which in this context is a show of restraint.) Roark explores, for a time, issues of power - how it's gotten, how it's wielded and how it's kept - that could have gone places, but Miller and Rodriguez don't take it much farther than the surface. Revenge is one of the key issues at play, as it often is in noir. It takes a powerfully deceitful person to stand out in this crowd, but Ava manages the trick. She's every femme fatale you've ever seen, wrapped up in one woman who somehow manages to be even more conniving than you expect. Ava is the most interesting of the additions Green, more than anyone else involved (with the possible exception of the great, underrated Boothe) seems to understand the level of absurdity required to keep up with the proceedings here. Meanwhile Dwight (Josh Brolin), a private detective, crosses paths with his now-married ex, Ava (Eva Green). A can't-lose gambler - so he thinks - named Johnny (Joseph Gordon-Levitt) horns in on Roark's high-stakes poker game, with chips on the table and one on his shoulder. Roark, the slimiest politician imaginable, and that's saying something. (He shows up in her imagination from time to time.) He's still looking after Nancy (Jessica Alba), the stripper who now mourns the death of Hartigan (Bruce Willis), the cop who died in the first movie. Mickey Rourke returns as Marv, the man-mountain of a killing machine who serves as the kind of de facto soul of the movie, if it actually had one. Heads really do roll, and more than once. Those descriptions are not hyperbole, by the way, on the off chance that you don't know what you're in for in one of these movies. 'Frank Miller's Sin City: A Dame to Kill For' really is pretty much the continuing adventures of the characters in the first film who didn't get their brains blown out or their heads cut off, with the addition of a couple of new characters along the way. Yes, it was hyper-violent and misogynistic and you didn't even need sound to follow the story (literally I once watched it that way).īut it looked so radically different from what we'd seen on-screen before, those complaints seemed secondary. When 'Sin City' came out in 2005, it was a landmark movie - not for the story, which was an absurdly gritty take on film noir, but for its look.ĭirector Robert Rodriguez, working with Frank Miller, on whose graphic novels the movie was based, created a pitch-black world of liquid movement, a blend of the animated and live action that never quite crossed over completely into one or the other. Watch Video: Trailer: 'Sin City: A Dame To Kill For'

Frank miller's sin city a dame to kill for